A major group exhibition centred on the Fluxus collection of gallerist Inge Baecker, presented alongside contemporary artists responding to this legacy.
Featuring new work “Anleitung zum anhören Kaputter Musik” — a sound and material response to Milan Knížák’s pioneering “Destruierte Musik.”

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HOW WE MET

08.11.2025—01.02.2026
Kunstmuseum Bochum
Kortumstraße 147
44787 Bochum, Germany

Opening
Friday, 07.11.2025, 19:00
20:00 – Performance by Taka Kagitomi, Growth Ring of Vibration

Rooted in the spirit of Fluxus, HOW WE MET transforms the museum into a lively space for encounter, sound experiments, and playful construction—where community, transience, humor, and utopia meet. The show brings together works and documents from the museum’s Fluxus collection alongside newly created site-specific structures and films. An accompanying action program, HOWWEEEEE, activates the exhibition with workshops, open mics, performances, and city walks.

New productions by
Taka Kagitomi, Darsha Hewitt, bureaumilieux (Jean-Michaël Taillebois & Sébastien Tripod) & Mélissa Rouvinet.

With thanks to Kunstmuseum Bochum and partners.

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August 28th – November 9th 2025
Total Babes
Autumn Exhibition 2025

The exhibition Total Babes invites viewers to explore themes of softness, power and feminine energy in contemporary art. At its heart, the exhibition examines the multifaceted nature of cuteness, the divine feminine and the animistic belief that (mother) nature is a living, dynamic entity. These concepts are viewed through the lens of how they manifest in people, places and things, particularly at a time when feminine archetypes are reemerging and reshaping our understanding of identity and balance.

Bringing together works across a range of mediums, Total Babes presents diverse interpretations of archetypes, mythological figures and humanity’s relationship with the natural world. Through these varied perspectives, the exhibition offers an engaging and thought-provoking exploration of vulnerability, strength and empowerment by opening a portal to bring the ethereal down to earth.

The featured artists are:
Berglind Ágústsdóttir | Hrefna Sigurðardóttir
Darsha Hewitt | Svava Skúladóttir
Dýrfinna Benita Basalan | Róska
Gunnhildur Hauksdóttir | Gunnþórunn Sveinsdóttir
Hildur Ása Henrýsdóttir | Kíkó Korriró
Hulda Vilhjálmsdóttir | Kjarval
Veronica Brovall | Sóley Eiríksdóttir

Curated by Jasa Baka and Petra Hjartardóttir.

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Rezidența9
Vila Rodizio
Strada Ion Luca Caragiale 32
București 030167, Romania

Tech Rider’s Dilemma tackles problems related to new media survival, heritage with a focus on art & science / technology and various forms of technical dysfunctions in electronic artworks, caused by the dynamics of obsolescence, practices based on improvisation and a penury of inter- and trans-disciplinary collaborations in Romania.

Curators: Suzana Dan & Andrei Tudose | Artists: Antoni Rayzhekov, Ioana Vreme-Moser, kinema ikon, Silvia Niculae, Darsha Hewitt, Drujba Collective, Sabina Suru, Mara Oglakci | Research contributors: Pip Laurenson, Dr. Ana-Maria Udrea (INFLPR), Dr. Cristina Achim (INFLPR), drd. Adina Rau (INCDFP), drd. Vlad Toma (INFLPR), gH, Antoni Rayzhekov, Alexandra Costea | PR & Communication: Simona Radoi & Anca Maco

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High Fidelity Wasteland III

Goldstein Galerie

Darsha Hewitt
Ausstellung: 14.–29. Juli
Eröffnung: 13. Juli, 19.00 Uhr

Darsha Hewitt (CA/DE) bewegt sich im künstlerischen Spannungsfeld von Sound, elektromechanischer Installation, Video, Zeichnung und Fotografie. In ihrer Arbeit setzt sie sich kritisch mit der Materialität von Maschinen und Technologiepraktiken auseinander.

Alte Schellackplatten werden in ihrer Arbeit ebenso wieder belebt wie Röhren ausrangierter Fernseher. Dabei richtet Hewitt einen besonderen Blick auf veraltete Technologien und Geräte, die von der Konsumgesellschaft weggeworfen wurden. Fragen über unsere technologischen Verstrickungen und deren Auswirkungen auf Mensch und Ökologie spielen dabei ebenso eine Rolle wie die Auseinandersetzung mit dem Sound selbst.

Die „High Fidelity Wasteland Trilogy“ ist eine Reihe von Klangarbeiten, die sich mit den ökologischen Dimensionen von Musik und Klangwiedergabetechnologie beschäftigen. Während ihrer Residenz wird Darsha Hewitt im Rahmen von „Über das Hören“ die letzte Arbeit dieser Reihe entwickeln, die sich um Echos und die Frage drehen wird, ob ein Klang jemals wirklich zerfällt.

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High Fidelity Wasteland III
Darsha Hewitt
Exhibition: 14th – 29th July
Opening: July 13th, 7:00 p.m

Darsha Hewitt (CA/DE) moves in the artistic field of sound, electromechanical installation, video, drawing and photography. In her work she critically examines the materiality of machines and technological practices.

Old shellac records are brought back to life in her work, as are tubes from discarded televisions. Hewitt pays particular attention to outdated technologies and devices that have been thrown away by consumer society. Questions about our technological entanglements and their effects on people and the environment play just as much a role as the examination of sound itself.

The “High Fidelity Wasteland Trilogy” is a series of sound works that explore the ecological dimensions of music and sound reproduction technology. During her residency, Darsha Hewitt will develop the final work in this series, “On Hearing,” which will revolve around echoes and the question of whether a sound ever truly decays.

The post Solo Exhibition | High Fidelity Wasteland III – Premier! | Goldstein Galerie | Frankfurt – Main (DE) appeared first on Darsha.

* 20.07.-06.10.2019 // Computer GRRRLS // Shimmer Generators + Sideman 5000 Adventure // MU Hybrid Art House // Curators: Inke Arns, Marie Lechner // Eindhoven NL

* 09.03-18.08.2019 // Carbon + Light: Juan Geuer`s Luminous Precision // Electrostatic Bell Choir // Ottawa Art Gallery // Curator: Caroline Langill // Ottawa CA

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Exhibitions
* 09.03-18.08.2019 // Carbon + Light: Juan Geuer`s Luminous Precision // Electrostatic Bell Choir // Ottawa Art Gallery // Curator: Caroline Langill // Ottawa CA

Events
* 29.-30.01.2019 // 7:30-8:30 // Artist Talk // / Ottawa Art Gallery CA

Still On View
* 18.03.-14.07.2019 // Computer GRRRLS // Shimmer Generators + Sideman 5000 Adventure // la Gaîté Lyrique// Curators: Inke Arns, Marie Lechner // Paris FR

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Exhibition:  “AMPLIFICATION”
Curated By:Curators: Martín Rodríguez & Eliane Ellbogen
Eastern Bloc
03.10 – 26.10.2018
Montreal (CA)

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* 26.09.-18.10.2018 // Requiem for a Failed State // The Watch+ Armour // Curator: Michael Artz //  Auf AEG // Nürnberg

* 03.10.-26.10.2018 // Amplification // Eastern Block //Curators: Martín Rodríguez & Eliane Ellbogen // Montreal (CA)

* 18.-28.10.2018 // Graduale 18: What if it Wont Stop Here? // New Work(s) Premier // Archive Kabinett // Curator: Jan Verwoert

* 26.10.-24.02.2019 // Computer GRRRLS // Shimmer Generators + Sideman 5000 Adventure // Hartware MedienKunstVerein // Curators: Inke Arns, Marie Lechner // Dortmund

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Requiem for a Failed State
Curated by Michael Arzt
HALLE 14.Zentrum für zeitgenössische Kunst
Centre for Contemporary Art

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